Johanna Bruckner

Exhibited during the Open Studios at Jan Van Eyck Academie, 2021. Bruckner approaches queer net pornography in terms of its affectively interwoven corporeality, formed between sensation, technology and labour within the internet. The principal element in her new multimedia installation is net porn data that dissipates, becomes lost, and fails because it is outside the spectrum of the usable. Aggregating these „non-existent“ data into corporealities of transition, Bruckner’s collage envisions the potential of digital failure as a refusal to submit to contemporary „dataveillance“ society. At the same time, these bodies propose the conditions for a trans-corporeal experiences and their infrastructures. They are no longer inserted into the production process as mechanical human engines forced to move to the rhythm of the machine, the internet. Rather, they are born of assemblage of data crumbs, cybernetic rupture, as material-social assemblages, which embody prosthetic forms of cyber struggles.  

Masks: Pillar Quinteros
Camera: Patricio Blanche
Performer: Kihako Narisawa, and others